circuit
The Two Empty Seats / Chapter 2 / 10

Chapter 2 - The Envelope

Nora read the message twice.

YOUR FATHER KNOWS WHO SENT IT.

The celebration continued around her.

Someone laughed.

A child ran between chairs.

Two officers were taking pictures near the podium.

Everything looked normal.

Marcus stepped closer.

“Nora?”

She showed him the screen.

His expression changed.

“Do you recognize the number?”

“No.”

“Could it be your mother?”

“She wouldn't do this.”

“Your father?”

Nora looked at the envelope.

“My father barely texts me on my birthday.”

Marcus didn't smile.

“That's not what I asked.”

“No. I don't think it's him.”

Nora slipped the phone into her pocket.

“I'm going back to my hotel.”

“I'll come.”

“No.”

“Nora—”

“The letter says alone.”

Marcus stared at her.

“Since when do you follow mysterious instructions?”

“Since someone got twenty people into a room without telling me.”

That silenced him.

Twenty minutes later, Nora was inside her hotel room.

She locked the door.

Closed the curtains.

Then placed the envelope on the desk.

For several seconds, she simply stared at it.

The handwriting bothered her.

She had seen it before.

Not recently.

Years ago.

She opened the envelope.

Inside was a folded letter and a photograph.

Nora picked up the photograph first.

She stopped breathing.

It showed her at twenty-three.

Commissioning day.

Nora stood in uniform between her parents.

Beverly looked impatient.

Howard looked uncomfortable.

But behind them, almost hidden at the edge of the frame, stood a woman Nora hadn't thought about in years.

Aunt Margaret.

Her father's older sister.

Margaret Whitaker had disappeared from their family when Nora was fourteen.

That was the word Beverly always used.

Disappeared.

Nora remembered asking why.

Her mother had said Margaret was unstable.

Howard had said nothing.

Eventually, everyone stopped saying her name.

Nora turned the photograph over.

One sentence was written on the back.

I WAS THERE EVEN WHEN YOU DIDN'T KNOW IT.

Nora unfolded the letter.

Dear Nora,

If you're reading this, you received the promotion.

I knew you would.

There are things I should have told you years ago, but your father made me promise to stay away until you were old enough to decide what kind of relationship you wanted with this family.

You became old enough a long time ago.

I became brave enough much later.

I heard your parents weren't attending.

I couldn't let those chairs be the only answer you received.

So I called someone.

That person called someone else.

Apparently, you've spent twenty years building a family without realizing it.

Nora stopped.

Her eyes blurred.

She continued.

You probably want to know why I left.

The truth is, Nora, I didn't.

I was pushed out.

And the reason had something to do with you.

Nora's stomach tightened.

The next line had been crossed out so heavily she couldn't read it.

Below it:

Ask your father about Annapolis.

Ask him why I was there.

And ask him why your mother made him choose.

Love, Margaret

Nora sat down.

Annapolis.

She had been seventeen when she first visited.

Her father had driven her.

Beverly had refused.

Nora remembered standing near the water while Howard told her she could become an officer if she wanted it badly enough.

It was one of the few times he had openly encouraged her.

Later, Beverly had been furious.

Nora never understood why.

Her phone rang.

Dad.

Nora answered.

“Hello?”

Silence.

Then Howard said, “Did you get a letter?”

No hello.

No congratulations.

Nora closed her eyes.

“Yes.”

“Destroy it.”

“What?”

“Whatever Margaret sent you, throw it away.”

“So you know she's alive.”

Another silence.

“Nora.”

“Where is she?”

“This is exactly why we stayed away.”

Nora stood.

“You stayed away from my promotion because Aunt Margaret might contact me?”

“Your mother knew something could happen.”

“What could happen?”

Howard lowered his voice.

“You don't understand what Margaret does.”

“What does she do?”

“She makes people question things that should've been left alone.”

Nora laughed once.

“You mean she tells them things you don't want discussed.”

“It's more complicated.”

“It always is.”

“Nora—”

“No. You laughed.”

Howard went quiet.

“Three days ago, Mom called my promotion ridiculous and you laughed.”

“I shouldn't have.”

“But you did.”

“Yes.”

The simple admission hurt more than an excuse.

Nora looked down at Margaret's letter.

“Why Annapolis?”

Howard inhaled sharply.

“Nora.”

“Why was Margaret there?”

“Not over the phone.”

“Then tell me where.”

Silence.

Finally:

“Come home.”

Nora almost laughed again.

“Nine hours is apparently a very long drive.”

“I deserve that.”

“You deserve worse.”

“I know.”

That stopped her.

Her father rarely admitted fault.

“Your mother doesn't know I'm calling,” Howard said.

“Why?”

“Because she doesn't want you talking to Margaret.”

“Why?”

Howard's voice became almost a whisper.

“Because Margaret remembers what happened before you were born.”

Nora stared at the wall.

“What happened?”

“Come home.”

The call ended.

Nora stood alone.

Then someone knocked.

Three slow knocks.

She approached carefully.

“Who is it?”

“Marcus.”

She opened the door.

Marcus entered carrying two coffees.

“You look terrible.”

“Thank you.”

“It's a gift.”

She handed him the letter.

He read silently.

When he reached Margaret's name, his eyes stopped.

Nora noticed.

“You know her.”

Marcus didn't answer immediately.

“Marcus.”

“I met her once.”

“When?”

“Years ago.”

“Where?”

He placed the letter down.

“At your first commissioning ceremony.”

Nora felt the room shift.

“She was there?”

“Yes.”

“Why don't I remember?”

“She stayed in the back.”

“Why?”

“Your father asked her to.”

Nora stared at him.

“You knew my aunt?”

“Barely.”

“You knew she was watching my career?”

“I didn't know that.”

“But you knew something.”

Marcus sat.

“Nora, when you were a junior officer, someone sent letters.”

“To who?”

“People supervising you.”

Her skin prickled.

“What kind of letters?”

“Nothing improper. They never asked for favors. They simply asked us to make sure you were given a fair chance.”

“Who sent them?”

“We didn't know.”

“Margaret?”

“I assumed so after today.”

Nora paced toward the window.

“So my career has been secretly managed?”

“No.”

Marcus's answer came sharply.

“Don't do that to yourself. Nobody handed you anything. If anything, those letters made people more careful not to favor you.”

“Then why send them?”

“One sentence appeared in every letter.”

“What sentence?”

Marcus looked at her.

“Don't let her believe she has to earn the right to belong.”

Nora stopped moving.

Her throat tightened.

That sentence reached somewhere deeper than she wanted.

“Why would Margaret write that?”

Marcus shook his head.

“I don't know.”

Nora looked at the photograph again.

There was something behind Margaret.

A building.

A sign.

She brought the picture closer.

The image was old, but part of the lettering remained visible.

ST. CATHERINE'S—

Nora frowned.

“Do you recognize this?”

Marcus leaned over.

“No.”

Nora photographed it and enlarged the image.

St. Catherine's.

Something moved through her memory.

A box in her parents' attic.

Old papers.

Her mother's handwriting.

A hospital bracelet.

Nora had found it at sixteen.

NORA BENNETT.

Not Whitaker.

She had asked Beverly.

Her mother snatched it away and said the hospital had made a mistake.

Nora hadn't thought about it in eighteen years.

Until now.

Her phone vibrated again.

UNKNOWN NUMBER.

This time there was an image attached.

Nora opened it.

A scanned document appeared.

ST. CATHERINE'S MATERNITY CENTER.

INFANT: NORA BENNETT.

MOTHER: MARGARET BENNETT.

Nora's hand went cold.

“That can't be right.”

Marcus leaned toward the screen.

Another message arrived.

Nora read it.

Then read it again.

YOUR MOTHER ISN'T THE WOMAN WHO GAVE BIRTH TO YOU.

May you like

A third message appeared immediately.

AND MARGARET WHITAKER IS NOT YOUR AUNT.

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